Flower Seller, Jamaica, 1837


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This record was last updated on 31 May 2011

Image Reference
Belisario10

Source
Isaac Mendes Belisario, Sketches of character, in illustration of the habits, occupation, and costume of the Negro population, in the island of Jamaica: drawn after nature, and in lithography (Kingston, Jamaica: published by the artist, at his residence, 1837-1838).

Comments
Captioned “Lovey,” Belisario gives a very detailed account of the subject of this lithograph. Lovey was born in the Congo, where he was called “Kangga,” but in 1803 he was baptized by a Catholic priest in Jamaica and called Louis; however, “for reasons only known to himself, he has . . . for several years assumed the appellation of Lovey.” Characterizing Lovey as a “shrewd, intelligent, kind-hearted, and industrious fellow,” Belisario describes him as a well-known seller of flowers in the Kingston area for the past 30 years. The flowers are grown in his master’s garden and as a way of increasing his own income, Lovey “nightly dances two wooden puppets,” he calls Captain and Mrs. Jones, and accepts tips from his audiences; the performances are “accompanied with songs of his own composition,” a few of which Belisario describes in the written descriptions accompanying his lithographs. Lovey is depicted with his flowers in a basket under one arm, and holding his two puppets in the other. Isaac Mendes Belisario was born in Kingston in 1794 into a merchant family of Sephardic Jews. He was sent to London in 1803 to reside with the English branch of the family. In England he studied painting. Belisario returned to Jamaica in 1834, and stayed until 1839 when he returned to London. Coming again to Jamaica around 1842, he remained until 1849 when he again returned to London where he died in June of that year. The lithograph shown here is one of 12, originally published in three parts, 4 plates at a time. All are based on drawings made “from life” or “after nature” by Belisario during his residence in Kingston during the mid- to- late1830s. The lithographs were hand tinted in color and were printed by the French-born artist/lithographer Adolphe Duperly, a friend of Belisario. The 12 lithographs have been reproduced in facsimile, with their entire accompanying descriptive texts authored by Belisario, in two lavishly illustrated and well researched volumes, both of which contain a great deal of material on Belisario, his life and the world in which he lived: Tim Barringer, Gillian Forrester, Barbaro Martinez-Ruiz [and others], Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (New Haven: Yale Center for British Art in association with Yale University Press, 2007); and Jackie Ranston, Belisario: Sketches of Character: A Historical Biography of a Jamaican Artist (Kingston, Jamaica; Mills Press, 2008). The former volume contains a number of essays by different scholars dealing with Belisario, his art, and various aspects of Jamaican society and history; the latter treats similar subjects in less depth but goes into much greater detail on family history and various people Belisario encountered during his lifetime and who had an influence on his art. Made available for public purchase, the Institute of Jamaica published photographic reproductions in color of a complete set of the Sketches of Character lithographs in its collection; each image is printed separately on stiff paper (albeit with no textual material). No imprint information is given for the Institute’s re-issue, but it was probably done in the 1970s.